Jane Leeves Wikipedia
She later said, “I know that my father’s sweetness and gaiety, his warmth and his tragedy, have never been far from me. That, and a sense of loss and of growing up too fast.” The Turner family struggled financially and relocated to San Francisco when she was six years old, after which her parents separated. When she was three, she performed an impromptu dance routine at a charity fashion show in which her mother was modeling. The family lived in Burke, Idaho, at the time of Turner’s birth, and relocated to nearby Wallace in 1925,d where her father opened a dry cleaning service and worked in the local silver mines. Her parents had first met while her mother was 14 and her father was 24; Mildred was the daughter of a mine inspector and was visiting Picher, Oklahoma, a trip that was taken so her father could inspect the mines there.
In the spring of 1953, Turner relocated to Europe for 18 months to make two films under a tax credit for American productions shot abroad. In 1951, Bettie’s image appeared in men’s magazines such as Wink, Titter, Eyeful and Beauty Parade. In late-1940s America, “camera clubs” were formed to circumvent laws restricting the production of nude photos. The Playboy Playmates of 1980 captured the magazine at the edge of a new decade, bridging the natural, sunlit glamour of the late 70s with the softer, more polished centerfold style that would define the early 80s.
She later claimed Topping’s drinking problem and excessive gambling as her impetus for the divorce. A little over a week before the film’s release in December 1952, Turner divorced her third husband, Bob Topping. During the shoot, Turner began an affair with her co-star Fernando Lamas, which ended after Lamas physically assaulted her; the incident also caused Lamas to lose his MGM contract upon the production’s completion. A Life of Her Own was among the least successful of Cukor’s films, receiving unfavorable reviews and low box-office sales.
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The biography is https://gonzagalawreview.com/ as colorful as any plot she has ever romped through on screen. Some of the stars are magnetic dazzlers on celluloid, and ordinary, practical, polo-coated little things in private life. Lana Turner is a super-star for many reasons, but chiefly because she is the same off-screen as she is on. Film scholar Jessica Hope Jordan considers Turner an “implosion” of both a “real-life image and star image”, and suggests that she utilized one to mask the other, thus rendering her representative of the “ultimate femme fatale”. When Turner was discovered, MGM executive Mervyn LeRoy envisioned her as a replacement for the recently deceased Jean Harlow, and began developing her image as a sex symbol.
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In 1966, Turner had her last major starring role in the courtroom drama film Madame X, based on the 1904 play by Alexandre Bisson, in which Turner portrayed a lower-class woman who marries into a wealthy family. She was ultimately released to the care of her grandmother and was ordered to regularly visit a psychiatrist alongside her parents. The films were Flame and the Flesh, in which she portrayed a manipulative woman who takes advantage of a musician, and Betrayed, an espionage thriller set in the Nazi-occupied Netherlands; the latter marked Turner’s fourth and final film appearance opposite Clark Gable. The first, Mr. Imperium, released in March 1951, was a box-office flop, and had Turner starring as an American woman who is wooed by a European prince. Turner’s next film was the romantic drama Cass Timberlane, in which she played a young woman in love with an older judge – a role for which Jennifer Jones, Vivien Leigh, and Virginia Grey had also been considered.
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The two began arguing heatedly in the bedroom, during which Stompanato cut Turner’s face and threatened to kill her, her daughter Cheryl, and her mother. Turner and Armstrong later returned with two Scotland Yard detectives to the rented house where she and Stompanato were staying. In January 1958, Paramount Pictures released The Lady Takes a Flyer, a romantic comedy in which Turner portrayed a female pilot. She was reluctant to appear in the film because of the character’s scanty, “atrocious” costumes and “stupid” lines, and during the shoot struggled to get along with co-star Edmund Purdom, whom she later described as “a young man with a remarkably high opinion of himself”.
She died nine months later on June 29, 1995, of complications from the cancer, at her home in Century City, Los Angeles, with her daughter, Cheryl, by her side. Her next film was Bittersweet Love (1976), a romantic drama in which she portrayed the mother of a woman who unwittingly marries her half-brother. Turner returned to feature films with a lead role in the 1974 British horror film Persecution, in which she played a disturbed wealthy woman tormenting her son. In late 1968, she began filming the low-budget thriller The Big Cube, in which she portrayed a glamorous heiress being dosed with LSD by her stepdaughter in hopes of driving her insane and receiving the family estate.
But until 2018 she kept appearing in franchises such as Scary Movie and had the occasional cameo in small television productions. That’s why we got married,” she detailed in Glamor magazine in 2004. Beyond her television triumphs, at that time she also monopolized the covers of the gossip magazines because of her tumultuous relationship with Dennis Rodman.
Life magazine named the film its “Movie of the Week” in April 1946, and noted that both Turner and Garfield were “aptly cast” and “take over the screen, creating more fireworks than the Fourth of July”. She portrayed Cora, an ambitious woman married to a stodgy, older owner of a roadside diner, who falls in love with a drifter and their desire to be together motivates them to murder her husband. Meanwhile, publicity over Turner’s remarriage to Crane led MGM to play up her image as a sex symbol in the comedy Slightly Dangerous (1943), with Robert Young, Walter Brennan and Dame May Whitty, in which she portrayed a woman who moves to New York City and poses as the long-lost daughter of a millionaire. While baptized a Protestant at birth, Turner attended Mass with the Hislops, a Catholic family with whom her mother had temporarily boarded her in Stockton, California.
One of the defining figures of the 1980 class was Terri Welles, Playboy’s December Playmate, who would later be named Playboy’s 1981 Playmate of the Year. Across the year, the 1980 Playmates reflected Playboy’s place in a media world still ruled by magazines, but already beginning to move toward video, television, and wider pop-culture visibility. Ola Ray would later become widely recognized for her role in Michael Jackson’s Thriller short film, while Jeana Tomasino, later known as Jeana Keough, became familiar to television audiences through The Real Housewives of Orange County. Because of the intersections between Turner’s high-profile, glamorous persona, and storied, often troubled personal life, she is included in critical discussions about the Hollywood studio system, specifically its capitalization on its stars’ private travails. Historians have cited Turner as one of the most glamorous film stars of all time, an association that was made both during her lifetime and after her death.
1985: Later films, television and theatre
Her mother worked 80 hours per week as a beautician to support herself and her daughter, and Turner recalled sometimes “living on crackers and milk for half a week”. Turner sometimes lived with family friends or acquaintances so that her impoverished mother could save money. She soon attracted attention by playing a murder victim in her screen debut, LeRoy’s film They Won’t Forget (1937), and she later moved into supporting roles that often cast her as an ingénue. In the mid-1940s, she was one of the highest-paid American actresses, and one of MGM’s biggest stars, with her films earning over one billion dollars in 2026 currency for the studio during her 18-year contract with them. She also occasionally performed with The Pussycat Dolls and released several tracks (her latest single Around the World dates from 2014). Since almost all of her photos were in the public domain,citation needed some entities launched Page-related products.
King of the calendar cuties: Pin-up girl artist Gil Elvgren (
Her family eventually agreed to discontinue life support, and she died on December 11, 2008, at the age of 85. In a late-1990s interview, Page stated she would not allow any current pictures of her to be shown because of concerns about her weight. In 1996, Page granted a TV interview to entertainment reporter Tim Estiloz for the NBC morning magazine program Real Life. In 1993, Page signed with Mark Roesler and his Curtis Management Group, later CMG Worldwide. Three years later, nearly penniless and failing to receive any royalties, Page fired Swanson.citation needed In the early 1980s, comic-book artist Dave Stevens based the female love interest of his hero Cliff Secord (alias “The Rocketeer”) on Page.
Revival of public interest
Leeves provided guest vocals in The Penguins of Madagascar as Lulu, a female chimp with whom Phil fell in love. Appearing less frequently in cinema, Leeves lent her speaking and singing voices to the animated film James and the Giant Peach (1996) as Mrs. Ladybug, and appeared in Music of the Heart (1999). In the US, she appeared as a tourist with a baby in the video for David Lee Roth’s song “California Girls”, but struggled for several years to establish an acting career. She was cast in films such as Miracle on 34th Street (1994), James and the Giant Peach (1996), Music of the Heart (1999) and The Event (2003). Every week we polish up the Pinterest app to make it faster and better than ever.
The likeness was most evident in Peyton Place and Imitation of Life, both films in which Turner portrayed single mothers struggling to maintain relationships with their teenage daughters. However, her image in 1946’s The Postman Always Rings Twice marked a departure from her strictly-sex symbol screen persona to that of a full-fledged femme fatale. In her early films, Turner did not color her auburn hair — see Dancing Co-Ed (1939), in which she was billed “the red-headed sensation who brought “it” back to the screen”. According to Cheryl, Turner’s death was a “total shock”, as she had appeared to be in better health and had recently completed seven weeks of radiation therapy.
1939: Discovery and early films
Despite the reams of copy that have been written about me, even the supposedly private Lana, the press has never had any sense of who I am; they’ve even missed my humor, my love of gaiety and color … She subsequently guest-starred on an episode of The Love Boat in 1985, which marked her final on-screen appearance. In January 1982, Turner reprised her role in Murder Among Friends, which toured throughout the U.S. that year; paired with Bob Fosse’s Dancin’, the play earned a combined gross of $400,000 during one week at Pittsburgh’s Heinz Hall in June 1982. She was suffering from an alcohol addiction that had begun in the late 1950s, was missing performances, and weighed only 95 pounds (43 kg). Weeks later, on May 9, 1969, she married Ronald Pellar, a nightclub hypnotist whom she had met at a Los Angeles disco. The two married in June of that year at his family’s home in Arlington County, Virginia.
All three films were mildly risqué, but none showed any nudity or overtly sexual content. Her Off-Broadway productions included Time Is a Thief and Sunday Costs Five Pesos. She appeared on The United States Steel Hour and The Jackie Gleason Show. They keep referring to me in the magazines and newspapers and everywhere else as the “Queen of Bondage”. Some have become iconic images, such as his highest-selling photo of Page—shown gagged and bound in a web of ropes, from the film Leopard Bikini Bound.
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During her early years, the Page family traveled around the country in search of economic stability. Page was “Miss January 1955”, one of the earliest Playmates of the Month for Playboy magazine. Bettie Mae Page (April 22, 1923 – December 11, 2008) was an American model who gained recognition in the 1950s for her pin-up photos. From 2010 until 2015, Leeves played the 40-something ex-“eyebrow artist to the stars” Joy Scroggs in the TV Land comedy Hot in Cleveland, with Valerie Bertinelli, Wendie Malick (also her co-star in the final season of Frasier) and Betty White. With her Frasier costar Peri Gilpin, Leeves also set up the production company Bristol Cities (cockney rhyming slang for ‘titties’).
Born to working-class parents in Idaho, Turner spent her childhood there before her family relocated to California. Turner is frequently cited as a popular culture icon due to her glamorous persona, and a screen legend of the Golden Age of Hollywood. When it comes to love, Electra has not had much luck.
1985: Later films, television and theatre
In 1949, Turner was to star in A Life of Her Own (1950), a George Cukor-directed drama about a woman who aspires to be a model in New York City. In August 1947, immediately upon completion of Cass Timberlane, Turner agreed to appear as the female lead in the World War II-set romantic drama Homecoming (1948), in which she was again paired with Clark Gable, portraying a female army lieutenant who falls in love with an American surgeon (Gable). As of early 1946, Turner was set for the role, but schedules with Green Dolphin Street almost prohibited her from taking it, and by late 1946, she was nearly recast.
1939: Discovery and early films
- Her mother worked 80 hours per week as a beautician to support herself and her daughter, and Turner recalled sometimes “living on crackers and milk for half a week”.
- The films were Flame and the Flesh, in which she portrayed a manipulative woman who takes advantage of a musician, and Betrayed, an espionage thriller set in the Nazi-occupied Netherlands; the latter marked Turner’s fourth and final film appearance opposite Clark Gable.
- Although she frequently posed nude, she never appeared in scenes with explicit sexual content.
- In 1957, Page gave “expert guidance” to the FBI regarding the production of “flagellation and bondage pictures” in Harlem.
- All three films were mildly risqué, but none showed any nudity or overtly sexual content.
In 1983, London Enterprises released In Praise of Bettie Page — A Nostalgic Collector’s Item, reprinting camera-club photos and an old cat fight photo shoot.citation needed She then appeared in two more burlesque films by Irving Klaw (Teaserama and Varietease). Although these “underground” features had the same crude style and clandestine distribution as the pornographic “stag” films of the time, Klaw’s all-female films (and still photos) never featured any nudity or explicit sexual content. Leeves made her screen debut with a small role in 1983 on the British television comedy programme The Benny Hill Show, and appeared as a dancer in Monty Python’s The Meaning of Life.
These skills proved useful, years later, for her pin-up photography, when Page did her own makeup and hair and made her own bikinis and costumes. As a teenager, Page and her sisters tried different makeup styles and hairdos imitating their favorite film stars. Her mother worked two jobs; one as a hairdresser (during the day) and the other washing laundry (at night).
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In November 1960, Turner married her fifth husband, Frederick “Fred” May, a rancher and member of the May department-store family whom she had met at a beach party in Malibu shortly after filming Imitation of Life. Shortly before the release of Imitation of Life in the spring of 1959, Turner was cast in a lead role in Otto Preminger’s Anatomy of a Murder, but walked off the set over a wardrobe disagreement, effectively dropping out of the production. The production was difficult for Turner given the recent events of her personal life, and she suffered a panic attack on the first day of filming. In the wake of negative publicity related to Stompanato’s death, Turner accepted the lead role in Ross Hunter’s remake of Imitation of Life (1959) under the direction of Douglas Sirk. Fearing that her mother’s life was in danger, Cheryl – who had been watching television in an adjacent room – grabbed a kitchen knife and ran to Turner’s defense.
- As of early 1946, Turner was set for the role, but schedules with Green Dolphin Street almost prohibited her from taking it, and by late 1946, she was nearly recast.
- However, her image in 1946’s The Postman Always Rings Twice marked a departure from her strictly-sex symbol screen persona to that of a full-fledged femme fatale.
- Ola Ray would later become widely recognized for her role in Michael Jackson’s Thriller short film, while Jeana Tomasino, later known as Jeana Keough, became familiar to television audiences through The Real Housewives of Orange County.
I finally got tired of making movies where all I did was walk across the screen and look pretty. While the film was financially successful at the box office, Time magazine panned it, calling it “a pretentious resurrection of Robert Louis Stevenson’s ghoulish classic … As for Lana Turner, fully clad for a change, and the rest of the cast … they are as wooden as their roles.” In the mid-1930s, Turner’s mother developed respiratory problems and was advised by her doctor to move to a drier climate, upon which the two moved to Los Angeles in 1936. Turner subsequently attended the Convent of the Immaculate Conception in San Francisco, hoping to become a nun. She became “thrilled” by the ritual practices of the church, and when she was seven, her mother allowed her to formally convert to Roman Catholicism. Following her father’s death, Turner lived for a period in Modesto with a family who physically abused her and “treated her like a servant”.
